Tag Archives: Junior Eurovision

Editorial: An analytical look at the split results of JESC 2014

Hey guys! Well, this is rather interesting now, our specialist reporter Thom was scrolling through the Junior Eurovision split results that were released just a few days ago. So what’s up with the results and how did Europe vote to grant Vincenzo Cantiello with the victory in Malta over a month ago? Let’s hand it over to Thom for the results!

Two days ago, the EBU released the full split voting of the juries and televoters for Junior Eurovision 2014. We at ESC Views dived into these splits and highlighted some interesting facts for you.

Italy, the overall winner, only finished 4th in the televoting and 5th if you leave out the jury votes from Slovenia and San Marino (in countries without a televote the jury voting was used in the official televoting result). This however doesn’t mean Vincenzo was an unpopular winner – Italy finished top 7 in the televoting of all countries except Belarus. Interesting fact is that “Tu Primo Grande Amore” failed to top the televote in a single country, but was the favourite of six of the international juries.

Bulgaria wasn’t the favourite of any of the juries, but did score ‘douze points’ with the public in six countries – the exact opposite of Italy. Krisia and the two brothers also proved that winning the televoting is not impossible with draw number 2, finishing top four everywhere and leaving all competitors behind. In the televoting, that is. Bulgaria finished 4th in the jury voting and the combined result wasn’t good enough to beat the Italian ballad.

On forehand Ukraine was considered to be a song for the juries by many, but an incredible 3rd place with the televoters proves the opposite and is the reason for their place on the left side of the scoreboard. The jurors from the other fifteen competing countries almost completely overlooked Ukraine, placing it 12th with not more than 24 points.

Just like Ukraine, Slovenia probably suffered from an overload of ballads: Ula collected a surprisingly low number of 14 points from the jury. She did get some televoting support from Croatia (7), Sweden (6), Montenegro (6) and The Netherlands (6), but scored little or no points elsewhere and therefore didn’t get enough televotes to compensate for the jury result.

There also was a big discrepancy between the jury voting and the televoting regarding the Cypriot entry. Picking up 73 points brought Sophia a 5th place with the European juries, while the televoters turned out to be less of a fan of her song. Cyprus finished 4th in the Bulgarian and Dutch televote, but failed to do better than 8th anywhere else and ended up 10th five times.

Just like Cyprus, Malta’s best result in a televoting  was 4th – 7 points from Italy and Russia. The professional jurors were more impressed by the vocal capacity of Federica, resulting in an impressive number of three twelve pointers and five ten pointers.

Although The Netherlands did considerably better in the televoting (6th place with 69 points) than with the juries (9th place with 44 points), the only 12 it was awarded was thanks to the Swedish jury, as Bulgaria won the public vote there. Even though The Netherlands scored top 9 in all of the televoting nations, Julia failed to get points from six of the juries.

The other Julia, from Sweden, bombed in the televoting, as the Dutch were the only ones texting and phoning for her, resulting in a total of 3 points. It almost literally was ‘game over’ for Josie from Croatia, as she scored a big fat nill with the televoters, but was saved from disaster by the San Marinese jury. The only noteworthy televoting results for Serbia were the 10 points from Montenegro and the 8 from Croatia, but a 7th spot with the juries was enough to get “Svet U Mojim Ocima” into the overall top 10.

Where some entries scored way better in one of the two votings, Armenia was consistent, ending up 2nd with both the juries and the televoters. That same concistency is to be seen with Russia (6th with the juries and 5th with the public), Belarus (62 versus 58 points), Georgia (10th in both), Montenegro (13th in the jury voting and 14th in the televoting), San Marino (11 points from both) and Croatia (last).

Well, thank you very much Thom for the incredibly detailed look into the show’s results! So are you happy with your favourite’s position in Europe’s voting? Do you wish your favourite had made it higher in the jury or the televoting? And did the right song win, in your opinion? Be sure to let us know what you think by commenting below!

Editorial: Our review of the Junior Eurovision 2014

Hey guys! Sorry for the incredible delay in writing this, but hey – better late than never! So, on Saturday 15th of November, after a great night of entries and a great show by the Maltese, we saw the 14-year-old Italian Vincenzo Cantiello take the title on behalf of his country on its debut attempt at participation! Of course, Italy’s triumph wasn’t the highlight of the entire show, and that’s what we are going to review. Over the course of two and a half hours, we saw astronauts, children engulfed in pyrotechnics and so much more! So let’s get right to it!

Congratulations to Vincenzo!
Congratulations to Vincenzo!

There was a lot of hype leading up to this year’s Junior Eurovision in Malta – mostly due to the fact that this year was the first year we had a vast number of countries taking part, including three debuting countries and four returning nations, one of which hadn’t been seen since 2006. So you wouldn’t be blamed if you were a bit excited – the quality of songs was very good for the Contest.

The Junior Eurovision was held in the Malta Shipyard in Marsa, a concept that was quite obviously copied from the Danes earlier in the year…*were they thinking a young Conchita Wurst was going to win!?* However, the Maltese actually managed to turn quite a seemingly-shitty looking venue into a rather well-produced Eurovision arena, so I believe some proper commendation is deserved towards the production crew. The stage itself was – once again – based on the Copenhagen stage, with the two catwalks in place… in a way, you really could say that Junior Eurovision’s production makes it really look like it’s Eurovision little brother. The graphics from the show were absolutely magnificent from the show and especially the title graphics before each song were what I would deem to be phenomenal…it’s actually such a shame such graphics had to be limited to such a smaller audience than the adult Eurovision.

All in all, the production of the show was fantastic and, if it so please you, you can watch the show in its entirety by watching the Youtube video below:

Right, let’s actually get to the show now:

  • Right from the get go, you got the feeling that everything was quite….nationalistic. Everything was geared towards promoting Malta as a country. For an example, the entire opening sequence showed the logo of the Contest – one quarter of the Maltese cross – flying around the archipelago and all its desirable locations. The postcards also featured a plethora of Maltese attractions. Like, I know that when you host your first Eurovision event, you want to show off your country, but there’s no need to “go Azerbaijan” on it.
  • The show was commentated on the web livestream by JESC writer Luke Fisher and Maltese singer/former JESC entrant Daniel Testa. While Luke gave information of the countries taking part in the Contest, Daniel was providing information on what was being shown in the postcards. However, some of the information Daniel was giving…..was it entirely relevant? (e.g. “There are 365 churches in Malta”. Fascinating.)
  • For the first time in Junior Eurovision history, one presenter was hosting the show – our favourite Maltese person ever, Moira Delia. Once again, we heard her say the cheesy quote that our Queen Zlata said one year previously – ‘The Junior Eurovision is getting bigger and better every year!’….at least this year, what she was saying was true. Like her previous hosting experiences in the Malta Eurovision Song Contest, she put those skills to use in her introduction of the various songs…it was quite funny to hear her attempt to try the different languages.. “From Serbia, Emilija Đonin with ‘Sveht oo moyum oCHEEma’!”
  • Getting onto the actual performances now, and Belarus maintained their use of those modern looking broomsticks that apparently could play music, despite being nowhere near the mouths of the dancers. And no matter whether you thought her singing was great or not, but Nadezhda looked a lot like a young, brunette Geri Halliwell.
  • I’m quite proud that Krisia could sing again after her illness and her lack of ability to sing during rehearsals. However, I’m also surprised that her live vocals aren’t as nasal as her studio vocals and I feel that her live vocals really outdo her studio vocals, as her live vocals are very operatic. Well done to her!
  • The Peppermints….at least they improved on their studio version, and the crowd sounded like they loved the group!
  • What can I really say about Josie? I loved her backstage charisma and character, especially with the “Disgusting Jelly Bean Challenge” but why couldn’t she bring that enthusiasm onstage? She really just looked like a tree while dancing…and when she did dance, she ruined her vocals. I’m really saddened to say that it was a car crash.
  • After the last songs that are presented in groups of four, certain countries went to ad breaks, but if you didn’t have that pleasure, you had to sit through the various random – and sometimes scary – interludes throughout the show. These interludes included light dancing to modern dancing to classical music to the random noises that make music….incredibly awkward…..and random.
  • Moira went all Valletta-happy and once again said the dreaded reference to Valletta being the European Capital of Culture 2018…Why does that have to be so important, eesh.
  • Sophia from Cyprus would be the one artist that interacted with the crowd the most…and after recovering from her injury a few hours before, I’m proud of her. Her vocals were on point, the crowd loved her and she actually gave a performance..well done Sophia!
  • Lizi Pop from Georgia WINS…….the Junior Barbara Dex Award of Junior Eurovision this year. That is all.
  • Was it just me, or did Julia from Sweden’s backing dancers look like they should have been in the 70s? Girls, leave ABBA to their own era, and don’t bring them into our own era…thank you!
  • I am absolutely overjoyed that Sympho-Nick got their high note spot on after struggling at it since their selection in June. But hey, at least they looked pretty….As a sidenote, Ukraine is still my #1.
  • Ula from Slovenia got a fantastic crowd reaction, as her country made their debut in Junior Eurovision. And did anyone hear that there was a bit of a lyric change? When she should be saying “As I look inside my head”, she says the Slovenian equivalent….why?!
  • Maša and Lejla from Montenegro….yeah, don’t call us, we’ll call you….ESPECIALLY because of that last pose you finish on.

  • I really don’t know about you, but when Vincenzo from Italy sang his high notes, I really didn’t like seeing down his throat…A good point though I have to note are the sassy finger points he did….those points were well sexy though.. 😀
  • I think Armenia showed us how easy it can be to look like Bellatrix Lestrange from Harry Potter…and it was in this point that I had started to realise how many tutu-skirts were being used..Betty gave a great performance, and actually – in my opinion, she had the most on-point vocals of the entire group. But seriously, why did her dancers have to look like a weird cross between an astronaut and an alien?
  • Alisa was really just pretty and could belt out the high notes…she was a tad sketchy on the low notes, but the rest of the song was fantastic….yeah, I don’t know what else I can say really.
  • Emilija actually gave a very intimate performance of her song and I actually feel like she was underrated quite a lot, because there wasn’t as much applause from the crowd as there had been for other contestants. The only thing I would note is her outfit…was she trying to look like a zebra or something with her black and white segments on that top?
  • As expected, Federica from Malta got the highest amount of applause from the crowd, seeming as she was on home soil..they literally started screaming before she even started singing…in a way, that proper patriotism. To be honest, the only other thing I can say about the performance without offending someone is that I could actually understand what she was singing about, compared to the studio version.
  • Julia from the Netherlands brought the songs to an explosive end with her uptempo song ‘Around’. Everything was really slick and sexy…and I did start to develop a bit of a crush on one of the dancers….is that a bad thing? We’re around the same age, so it’ll have had to be!
  •  For the common song ‘#together’, we saw all the competing artists take to the stage together… I’m surprised that Gaia – who recorded the song originally – wasn’t at all featured in the performance. However, my surprise was speedily quenched when the Helium Balloon premiered her new song ‘Children of the Future’ and what sounded like a remix of ‘The Start’….complete with MESC-entrant choir *yes Glen Vella, we saw you*…yeah, let’s just move on.
  • During the voting, we had some proper interesting characters. The Belorussian spokesperson gave the usual over-enthusiasm that Belarus continues to deliver when it comes to spokespersons. However, that’s about as enthusiastic as it got and it was really just went downhill from there. I think that everyone would be in agreement that Cyprus’ spokesperson was wayyyy too old to be taking part in a show for 10-15 year olds. The Georgian spokesperson named Mariam (as is everyone in Georgia) said possibly the funniest line in the entire show – ‘HERE ARE THE RESULTS OF AR CANTRY WOTE!‘ Oh, and there was Gal Fajon, the Slovenian spokesperson, who James and I deemed to be a great friend of ours, except just looking sooooooooo apathetic!

    "Oh my god, really...? I sooo don't want to be here."
    “Oh my god, really…? I sooo don’t want to be here.”

This more or less bring us to the results now,

Did the right song win? It’s really hard to say. James and I had split opinions on the song – while I quite enjoyed it, James thought it was like ‘Insieme: 1992’ but the 2014 version. Italy was always deemed to be a bit of a dark horse by some people, but did they expect Vincenzo to actually win the Contest? I cannot say for sure. However, one thing that cannot be denied that when it came to stage presence, Vincenzo outshined a lot of the other contestants. He delivered sass and wide-open-mouth aside, he made his song sound like it was an oldie he was covering, whereas Federica – for example – just stayed on that one spot and just sang – it’s like Ryan Dolan all over again. So when it comes to the actual staging and the singing itself, he definitely did deserve to win..whether he had the right song or not remains subject to your own personal opinion.

Moving away from the winner, it was quite surprising to see Armenia claiming the third spot. If you saw in our first article about this year’s Junior Eurovision entries, you’d see that James was quite a fan of ‘People of the Sun’, and in the predictions article, he had said that Armenia would come second, so congratulations to him in that respect! He also made a few near guesses, but nothing that was exactly the position any country finished in.

Personally, I am overjoyed that Ukraine’s Sympho-Nick managed to reach the sixth position at the end of the voting. The group were incredibly underrated by the fans, and also had gotten quite a bit of hate for some unknown reasons, so I believe that it was fantastic that they got their 74 points and once again proving that an underrated entry can do well.

Huge fan favourite Slovenia’s low placing was a shock to most fans for the few hours after the Contest. Putting it blatantly, everyone thought that Slovenia or Cyprus would walk it, but in coming 12th and 9th respectively, it really did shut a whole lot of us up.. I wonder why? There were a few times when Ula did hit a bum note, but the song itself was great (although James would beg to differ). And speaking of Cyprus, Sophia – what happened? At least you got some form of points, but why did people not vote for you?! It really is a shame..

Bottom three….yeah, was that really expected? ………………………………………………. Yes, it was.

If you cast your mind back to last Saturday afternoon, when we made our predictions for the results later that night, our combined predictions couldn’t be more wrong – we underrated the top 3 and overrated the 5th, 7th and 9th places! Individually, I managed to correctly predict Croatia would end up taking home the wooden spoon in this edition of the Junior Eurovision, but that’s as far as it went individually as well..as you can tell, we are really just diabolical in the field of predictions, but hey – that’s the fun of such stuff, it’s good to see how far off – or how spot on – you are afterwards!

So, what happens next? Already four countries have started preparations for next year’s Junior Eurovision – Belarus, Bulgaria, Malta and The Netherlands. Like we said last year, because Italy is a Western European country, could this bring more attention from countries that have never taken part before, or possibly some countries might return? Well, Ireland is in ‘advanced discussions’ between Irish broadcaster TG4 and the EBU. Plus, we have also seen countries like Hungary and more importantly, Germany start to take interest in joining the Contest. So this could possibly signal the return of several other former countries – especially seeming as the Contest may be hosted in a Big 5 country. And speaking of ‘a Big 5 country’, what does winning Junior Eurovision mean for Italy? One would ideally think that Italy has a newfound respect for the adult Contest after their disappointing result in May, and should RAI be granted the opportunity to put on their first Eurovision event since 1991, I have a feeling that the Italians would put on a great show….but if it happens, they might not actually go all Azerbaijan on it…but the question is, will this even happen? No one knows for sure..

Your views:

Did you like Junior Eurovision 2014?
What’s the one thing you’ll remember from Junior Eurovision 2014?

Svana Lístí Agnarsdóttir from Iceland: I really did love the Netherlands this year. It was the best singing from any of the children..

Maria Romana from Italy: I am so proud that my country won Junior EuroContest. We are so proud of Vincenzo and I hope we can host this great Contest in Italy.

Harold McDonell from the United Kingdom: For me, it had to be when Krisia managed to sing on the night after not being able to during the week the rehearsals were on..it showed she could recover really quickly.

Ricky Calder from Australia:  Cyprus is standing out the most from the contestants…but I think oh oh eh ah ah together is going to be the thing I’ll remember the most.

Well it seems that everyone has their own favourite moment from the Contest. Personally, my own moment is when Moira was almost toppled over by all the contestants running to the stage to hug Vincenzo before he sang his winner’s reprise. So like  I said, we all have our own favourite moment…but what’s yours? What’s the one thing you’ll always remember from the Junior Eurovision? And are you looking forward to next year’s Contest? Feel free to let us know what you think by commenting below!